5 Reasons We Love ‘Book Of Monsters’ Blu-Ray Artwork!

Book Monsters Blu-Ray Artwork, Epic Pictures

Epic Pictures and DREAD break down the terrifying Blu-ray artwork for the Book of Monsters. starring Lyndsey Craine and Lizzie Stanton. Turning 18 years-old takes a turn for the worst when monsters come crashing in at the party.

Sophie (Lyndsey Craine)’s 18th birthday becomes a bloodbath when monsters descend upon her house, devouring the guests and killing anyone who tries to leave. To survive the night, Sophie must face her destiny: monsters are real and she’s the only one who can stop them.

Here are 5 reasons why we’re excited for Book of Monsters Blu-Ray:

5)The Trailer!

Book of Monsters

In an interview with Dread Central,  director Stewart Sparke describes working with Epic Pictures and DREAD team, “It’s been clear as day that they understand exactly the tone and style of Book of Monsters right down to its ‘80s inspired roots.”

4) Kick-Ass Women!

Responsible for poster art for Hobo With A Shotgun and Wolfcop, The Dude Designs has “created a number of stunning concepts but the final image is one which conjures up memories of the good old VHS days that draws you in with the promise of kick-ass women fighting awesome monsters.”

3) VHS!

Responsible for the Blu-Ray artwork, Johnny Tabor then took The Dude Designs’ artwork and put his own spin. The Blu-ray artwork captures the feel of a VHS box art, where you’re wandering aimlessly through the aisles at a Blockbuster store

2) It’s A Blast!

DREAD’s Director of Distribution Rob Galluzzo adds, “The movie’s a blast. The story behind its making is even better. And I think loyal collectors will be pleased with what we’ve put together for our Book of Monsters release!”

1) The Ensemble Cast!

The ensemble cast includes Nicholas Vince, Anna Dawson, Steph Mossman, and Michaela Longden. In the role of Jonas, you might remember Nicholas Vince as Chatterer in Clive Barker’s Hellraiser and Hellbound: Hellaiser II.

Book of Monsters arrives March 19, 2019 on Blu-Ray. 

By Jorge Solis

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